Stephen Thomas

...In March, In Oakland

Dan Flavin, Crown Point Press, Lilah Toland, Stephen Thomas

1978

Set of 9 drypoints with colophon page on arches satine paper Accession ID 2001.142.34.1-9

Not on view

Day Four from Seven Day Diary (Not Knowing)

John Cage, Stephen Thomas, Crown Point Press

1978

Etching, drypoint, softground etching, sugarlift aquatint, and photo-etching from a portfolio of seven etchings and drypoints on wove rives paper Accession ID 1996.93.26.4

Not on view

4

Dan Flavin, Crown Point Press, Lilah Toland, Stephen Thomas

1978

One of 9 drypoints with colophon page on arches satine paper Accession ID 2001.142.34.4

Not on view

Seven Day Diary (Not Knowing)

John Cage, Stephen Thomas, Crown Point Press

1978

Portfolio of seven etchings and drypoints (five with aquatint, four with photo etching, three with impressions from inked found objects, and two with color etching), including title and colophon pages on wove rives paper Accession ID 1996.93.26.1-7

Not on view

5

Dan Flavin, Crown Point Press, Stephen Thomas, Lilah Toland

1978

One of 9 drypoints with colophon page on arches satine paper Accession ID 2001.142.34.5

Not on view

Day Six from Seven Day Diary (Not Knowing)

John Cage, Stephen Thomas, Crown Point Press

1978

Color etching, drypoint, softground etching, sugarlift aquatint, photo-etching, impressions from inked found objects, and color etching from a portfolio of seven etchings and drypoints on wove rives paper Accession ID 1996.93.26.6

Not on view

Day Two from Seven Day Diary (Not Knowing)

John Cage, Stephen Thomas, Crown Point Press

1978

Etching, drypoint, and softground etching from a portfolio of seven etchings and drypoints on wove rives paper Accession ID 1996.93.26.2

Not on view

#5 from Nine Drypoints and Etchings

Richard Diebenkorn, John Slivon, Stephen Thomas, Crown Point Press

1977

Drypoint from a portfolio of five drypoints and three etchings on rives bfk wove paper Accession ID 1996.77.4.4

Not on view

#2 from Nine Drypoints and Etchings

Richard Diebenkorn, John Slivon, Stephen Thomas, Crown Point Press

1977

Drypoint from a portfolio of five drypoints and three etchings on umbria italia wove paper Accession ID 1996.77.4.2

Not on view

#8 from Nine Drypoints and Etchings

Richard Diebenkorn, John Slivon, Stephen Thomas, Crown Point Press

1977

Etching from a portfolio of five drypoints and three etchings on wove german etching paper Accession ID 1996.77.4.7

Not on view

The Selling of Five Americans and a Place for One World Citizen

Vito Acconci, Doris Simmelink, Stephen Thomas, Crown Point Press

1977

Photo-etching in red and blue on stonehenge grey paper Accession ID 1998.40.2

Not on view

Why Don't You Come Up and See Mine Sometime?

Vito Acconci, Doris Simmelink, Stephen Thomas, Crown Point Press

1977

Photo-etching in black on rives bfk wove paper Accession ID 1998.40.3

Not on view

Stephen Thomas

...In March, In Oakland

...In March, In Oakland

Day Four from Seven Day Diary (Not Knowing)

Day Four from Seven Day Diary (Not Knowing)

4

4

Seven Day Diary (Not Knowing)

Seven Day Diary (Not Knowing)

5

5

Day Six from Seven Day Diary (Not Knowing)

Day Six from Seven Day Diary (Not Knowing)

Day Two from Seven Day Diary (Not Knowing)

Day Two from Seven Day Diary (Not Knowing)

#5 from Nine Drypoints and Etchings

#5 from Nine Drypoints and Etchings

#2 from Nine Drypoints and Etchings

#2 from Nine Drypoints and Etchings

#8 from Nine Drypoints and Etchings

#8 from Nine Drypoints and Etchings

The Selling of Five Americans and a Place for One World Citizen

The Selling of Five Americans and a Place for One World Citizen

Why Don't You Come Up and See Mine Sometime?

Why Don't You Come Up and See Mine Sometime?

West Building

East Building

Sculpture Garden

Stephen Thomas

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West Building

East Building

Sculpture Garden

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