Provenance

The Ian Woodner Family Collection, Inc.

Explore selected works

See all 47 works of art
Georges Braque, Large Nude, 1927, brown chalk and stumping on wove paper laid down on canvas, Woodner Collection, 2000.25.1

Large Nude

Georges Braque · 1927 · brown chalk and stumping on wove paper laid down on canvas ·  Accession ID  2000.25.1

Federico Barocci, Head of a Bearded Man, 1579/1582, colored chalks on blue laid paper; laid down, Woodner Collection, 1991.182.16

Head of a Bearded Man

Federico Barocci · 1579/1582 · colored chalks on blue laid paper; laid down ·  Accession ID  1991.182.16

Italian, The Sacrifice of Isaac, c. 1500, red chalk with white heightening on laid paper, Woodner Collection, 2001.3.3

The Sacrifice of Isaac

Italian · c. 1500 · red chalk with white heightening on laid paper ·  Accession ID  2001.3.3

Etienne Delaune, The Backplate of a Suit of Parade Armor, c. 1557, pen and black ink with gray wash and faint traces of black chalk on laid paper, Woodner Collection, 1991.182.20

The Backplate of a Suit of Parade Armor

Etienne Delaune · c. 1557 · pen and black ink with gray wash and faint traces of black chalk on laid paper ·  Accession ID  1991.182.20

Luca Signorelli, Two Nude Figures [verso], c. 1500, black chalk on tan laid paper, Woodner Collection, Gift in Honor of the 50th Anniversary of the National Gallery of Art, 1991.8.1.b

Two Nude Figures [verso]

Luca Signorelli · c. 1500 · black chalk on tan laid paper ·  Accession ID  1991.8.1.b

Jean-Auguste-Dominique Ingres, Philippe Mengin de Bionval, 1812, graphite on wove paper, Woodner Collection, 1991.182.21

Philippe Mengin de Bionval

Jean-Auguste-Dominique Ingres · 1812 · graphite on wove paper ·  Accession ID  1991.182.21

Hans Bol, The Crucifixion, 1570s, pen and brown ink with brown wash on laid paper, Gift of Dian Woodner, 2008.38.3

The Crucifixion

Hans Bol · 1570s · pen and brown ink with brown wash on laid paper ·  Accession ID  2008.38.3

Hans Holbein the Elder, Study of a Bearded Man [verso], c. 1508/1510, silverpoint and charcoal heightened with white on white prepared paper, Woodner Collection, 1991.182.18.b

Study of a Bearded Man [verso]

Hans Holbein the Elder · c. 1508/1510 · silverpoint and charcoal heightened with white on white prepared paper ·  Accession ID  1991.182.18.b

Filippino Lippi, The "Chief Framer", Man with a Stick, c. 1500, metalpoint heightened with white on gray-prepared paper, Woodner Collection, Patrons' Permanent Fund, 1991.190.1.c

Man with a Stick

Filippino Lippi, The "Chief Framer" · c. 1500 · metalpoint heightened with white on gray-prepared paper ·  Accession ID  1991.190.1.c

Shown from the chest up, a woman’s body faces us as she looks slightly off to our left in this vertical drawing. Her face and features are shaded in detail with white highlights that suggest pale skin. She has round eyes with heavy lids under lightly raised brows, a straight nose, and full lips in an oval-shaped face. Her headdress wraps around her neck and head and falls over her shoulders. She is enclosed by a drawn frame with rounded corners at the top and a curved bottom. The artist’s initials are partially visible within the frame near the lower right, “H.H.” Ink writing was added to a few areas of the drawing or has transferred from another page to this image.
Hans Holbein the Elder, Portrait of a Woman [recto], c. 1508, silverpoint with brush and black and brown ink over charcoal and leadpoint, heightened with white on white prepared paper, Woodner Collection, 1991.182.18.a

Portrait of a Woman [recto]

Hans Holbein the Elder · c. 1508 · silverpoint with brush and black and brown ink over charcoal and leadpoint, heightened with white on white prepared paper ·  Accession ID  1991.182.18.a