Provenance

Edward Hutton

British, 1874 - 1969

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A woman holding a nude child sits against a gold background in this vertical painting, which has a long, pointed top. They both have pale skin tinged with green, blond hair, delicate features, and pink cheeks. The woman sits on a cushion with her body angled to our left and holds the baby on her right knee. She tips her head and looks down at the child with hooded eyes. She wears a cream-white dress under a midnight-blue cloak lined with forest green. She braces the baby’s torso with her right hand, to our left, and holds the pale pink cloth on which he sits with the other. The child’s body faces her, and he touches the clasp of her cloak with one hand. The other hand rests on her shoulder. Both have decorative, patterned halos punched into the gold background. The white cushion is patterned with white-petaled flowers with tiny red centers. The brown floor is speckled with white dots and perhaps minuscule flowers, but the area is dark and difficult to make out. A bearded man shown from the waist up floats overhead in a much smaller scale. He has a gold halo, blond hair, and wears a yellow robe. Six pink wings are lined up down his arms. Gold rays fan down from his body to reach a white bird between him and the woman. The panel has molding around its edges and flame-like carvings up the pointed top.
Sassetta, Madonna of Humility, c. 1435/1440, tempera on poplar panel, Samuel H. Kress Collection, 1939.1.246

Madonna of Humility

Sassetta · c. 1435/1440 · tempera on poplar panel ·  Accession ID  1939.1.246

This painting is divided into three vertical panels that show people gathered in different parts of a temple, which spans the composition. Each panel is framed by a white and blue latticed arch. The people’s pale skin is tinged with green and they have rosy cheeks. Almost all of their robes, cloaks, and dresses are edged with gold. The central panel is the widest, about half again as wide as each side panel, and a bit taller than the other two. In it, a young blond girl, Mary, stands with her hands folded together in front of two bearded men. Mary leans slightly away from one of the men and looks off to our left. She wears a pale blue garment densely patterned with glimmering gold. She and one of the men next to her have shiny gold halos. The haloed man slightly bows toward Mary, hands out. His gold robe is lined with red, and he wears a white peaked hat with a gold band around the base. The second man stands behind this pair, his hands lifted, palms out. A rose-pink robe is covered by a crimson-red cloak, and a white cloth covers most of his balding head. This trio stands on a raised platform accessed on three sides by seven steps. Coral-red columns with white capitals hold up gray arches above, which in turn support a rose window at the top center of this panel. Two small boys stand at the base of the steps, their backs to us. Both have blond hair and wear red stockings. One wears a white and gold polka-dotted, high-necked robe and the other wears red and points at Mary. Six people fill the arch to our left. A woman with her head and neck covered by a white veil holds up one hand as she clutches her muted blue, gold-edged cloak around her body. She and the bearded, balding man next to her, who wears blue and pink, both have shiny halos. Three more people are barely visible next to and beyond this pair. The sixth person kneels and crosses the left and center panels. They wear a laurel-green robe and look up at Mary. In the panel to our right, two men stand in front of a balcony occupied by eight blond women. Both men are bearded. One has brown hair covered by a black hood, and he wears a pale blue robe under a shell-pink cloak. He looks off to our left, at Mary, and holds his hands clasped down in front of his torso. The other man looks at the first with one hand raised, the thumb pointing toward the center. He has gray hair covered by a white hood, and wears butterscotch-yellow and red. The women above wear dresses in red, pink, yellow, marine blue, or white dotted with gold. The spaces behind the groups on either side panel are backed by gray stone archways lined with coral-red molding. The floor across all three is patterned with squares and rectangles in red, black, and white. Low, white stone walls span the width of the side panels and open up to the center.
Paolo di Giovanni Fei, The Presentation of the Virgin in the Temple, 1398-1399, tempera on wood transferred to hardboard, Samuel H. Kress Collection, 1961.9.4

The Presentation of the Virgin in the Temple

Paolo di Giovanni Fei · 1398-1399 · tempera on wood transferred to hardboard ·  Accession ID  1961.9.4

Bibliography

1970

  • Rhodes, Dennis E. "Obituary: Edward Hutton." The Burlington Magazine v. 112, no. 802 (January 1970):51-52.