Provenance

Mrs. Gordon Dexter

Dexter, Isabelle Hunnewell

American, c. 1871 - 1968

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This painting shows a man seated on a decorative red chair, his body turned towards the left and his head turned to look at us. He has a round face, light skin, and gray curly hair that goes down past his shoulders. He wears a red robe with thick white fur trim and rests one arm on a red table or surface on the left. On top of this surface are several sheets of white paper. In the background, there is a stone pillar on the left and draped green curtains on the right.
John Singleton Copley, Baron Graham, 1804, oil on canvas, Gift of Mrs. Gordon Dexter, 1942.4.1

Baron Graham

John Singleton Copley · 1804 · oil on canvas ·  Accession ID  1942.4.1

A knight in armor strides toward two women wearing long gowns in a balustraded terrace in this horizontal painting. The three people all have smooth, pale skin with flushed cheeks. To our left, the man’s entire body is covered in armor except for his face under a raised visor. He has blue eyes, and his rose-red lips are slightly parted. His helmet is topped with a plume of white feathers. There is a red cross on his chest and red fabric wraps over his far shoulder and billows down his back to his shins. He holds a round shield edged in red up over his head with his far arm, and holds a lance down by his side with the hand closer to us. A sword hangs from his far hip, and he strides forward onto his other leg. He gazes to our right. In the right half of the composition, the two women stand facing each other. Both have long, curly gray hair, delicate noses, gray eyes under arched brows, and their coral-pink lips are parted. At the center of the painting, one woman, Fidelia, wears a long-sleeved, floor-length white gown tied at the waist with a butter-yellow sash. White cloth wraps around her head and through her hair, and it flutters behind her. She turns her head to look up and to our left, and her head is surrounded by a vibrant, yellow glow. In her right hand, closer to us, she holds up a gold chalice with a snake curling from the cup, its mouth open and tongue flicking out near her hair. She holds a brown book in her other hand, down in front of her hips. The second woman, Speranza, faces Fidelia but she looks up and to our left. Speranza’s topaz-blue, satin dress has a gauzy white collar and cuffs, and the skirt pools around her feet. A sky-blue ribbon wraps through Speranza’s hair. With her far hand, Speranza touches Fidelia’s wrist near the book. With her other hand, closer to us, Fidelia gathers her dress and braces the curving prongs of a silver anchor across that arm. The trio is framed by tall trees on the left and columns swathed with burgundy-red curtains on the right. A balustrade between the man in armor and woman in white is silhouetted against a salmon-pink sky along the horizon. A screen of white clouds float against the aquamarine-blue sky above.
John Singleton Copley, The Red Cross Knight, 1793, oil on canvas, Gift of Mrs. Gordon Dexter, 1942.4.2

The Red Cross Knight

John Singleton Copley · 1793 · oil on canvas ·  Accession ID  1942.4.2

This is a painting of a large gathering in a grand hall or courtroom setting. Filling the space are numerous people dressed in elaborate robes. These people all appear to be men with pale skin and curled white hair. Light streams down from a round window near the top left corner, casting a dramatic light on a group of men gathered to the right of center. One man in this group appears to have fainted, and the others are gathered around him, supporting his head and limbs. The other men in the room look to the right, towards this group. The room contains several ornate architectural elements, like a high curved ceiling with recessed areas, draping fabric along the wall near the top right corner, and a tapestry below the window on the left. The color palette is entirely in shades of pale yellow, brown, cream, white, and gray.
John Singleton Copley, The Death of the Earl of Chatham, 1779, oil on canvas, Gift of Mrs. Gordon Dexter, 1947.15.1

The Death of the Earl of Chatham

John Singleton Copley · 1779 · oil on canvas ·  Accession ID  1947.15.1

Bibliography

1968

  • The New York Times, 16 December 1968, 47 (obituary).