Provenance

Heather and Tony Podesta

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Safe Zones #7 (the toilets at ZKM)

Jonas Dahlberg · 2001 · architectural models, surveillance cameras, and black and white monitor ·  Accession ID  2015.19.5123

This photograph displays two individuals in an upper-body view. On the left is a woman with short blonde hair, pale skin, a slightly upturned nose, and high cheekbones. She is in profile, facing the right. Her eyes are closed, and her lips are slightly downturned. She appears to be wearing some makeup, including red lipstick and mascara. We see her from the shoulders up, and she doesn't wear any visible clothing. On the right is a man with pale skin, curly brown hair, and short brown facial hair, facing left and looking at the woman. He appears to be standing, and we see more of his chest, which is also bare. The background appears to be a blue-and-white wall with wave-like patterns and white floral elements painted on it.
Malerie Marder, Untitled, 2000, chromogenic print, Gift of the Heather and Tony Podesta Collection, 2009.131.41

Untitled

Malerie Marder · 2000 · chromogenic print ·  Accession ID  2009.131.41

Anna Gaskell, Untitled #54 (Sally Salt Says), 1999, chromogenic print, Gift of the Heather and Tony Podesta Collection, 2009.131.27

Untitled #54 (Sally Salt Says)

Anna Gaskell · 1999 · chromogenic print ·  Accession ID  2009.131.27

This photograph shows a woman sitting on the floor. She is seated on a small black stool with her knees bent, her body facing the left but her face turning to the right. She has light skin and neatly styled blonde hair that is tucked behind her ears. She wears a sleeveless brown top and brown pants, with tall brown high heels. She is sitting on the left, while to the right there are numerous taxidermies of large animals such as rams and goats with spiraling horns, along with a large leopard rug with its head attached. The large animals appear to stand on fake rocks surrounded by potted plants in woven baskets and a wooden bowl filled with large white eggs. The background features tan walls and light brown ceiling beams. In the back, there are more animals around the walls, including standing bears and mounted deer heads.
Daniela Rossell, Third World Blondes Have More Money (Raquel 20 Animales), 2002, chromogenic print, Gift of the Heather and Tony Podesta Collection, 2011.144.16

Third World Blondes Have More Money (Raquel 20 Animales)

Daniela Rossell · 2002 · chromogenic print ·  Accession ID  2011.144.16

Ann Hamilton, Untitled, 1993, linen collar with white embroidered horsehair under glass vitrine, Gift of the Heather and Tony Podesta Collection, 2006.159.1

Untitled

Ann Hamilton · 1993 · linen collar with white embroidered horsehair under glass vitrine ·  Accession ID  2006.159.1

Olafur Eliasson, Untitled (Iceland series), 1999, chromogenic print, Gift of the Heather and Tony Podesta Collection, 2009.131.16

Untitled (Iceland series)

Olafur Eliasson · 1999 · chromogenic print ·  Accession ID  2009.131.16

Tom Hunter, The Vale of Rest, 2000, silver dye bleach print, Corcoran Collection (Gift of The Heather and Tony Podesta Collection, Washington DC), 2015.19.5253

The Vale of Rest

Tom Hunter · 2000 · silver dye bleach print ·  Accession ID  2015.19.5253

Sharon Lockhart, Kumi Nanjo and Marie Komuro, 1997, chromogenic print, Gift of the Heather and Tony Podesta Collection, 2006.159.12

Kumi Nanjo and Marie Komuro

Sharon Lockhart · 1997 · chromogenic print ·  Accession ID  2006.159.12

Ann Hamilton, body object series #1, chair, 1984, printed 1991, gelatin silver print, Gift of the Heather and Tony Podesta Collection, 2011.144.7

body object series #1, chair

Ann Hamilton · 1984, printed 1991 · gelatin silver print ·  Accession ID  2011.144.7

Sharon Lockhart, Kumiko Shirai and Eri Hashimoto, 1997, chromogenic print, Gift of the Heather and Tony Podesta Collection, 2006.159.16

Kumiko Shirai and Eri Hashimoto

Sharon Lockhart · 1997 · chromogenic print ·  Accession ID  2006.159.16