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    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

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Open today 10:00–5:00

National Gallery of Art

  • Visit

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    • Visiting with Kids
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    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

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    Play Artle

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  • Visit

    • Plan Your Visit
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    • Visiting with Kids
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    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

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    • Games and Interactives
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    Play Artle

    Test your knowledge with a new puzzle every day.

    Play now

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    Aurelio Zaneletti

    Zanoletti, Aurelio

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    A nude woman with pale pink skin reclines under cream-white sheets in a bed as she reaches for the cloak of a man with light skin standing in front of the bed, who leans away with arms raised in this horizontal painting. The mattress runs along the bottom edge of the canvas, and the man is shown from the knees up. The woman’s bare torso faces us, hips stacked, as she turns her face to our right in profile, looking at the man. She props her body up with her right elbow, to our left, on a mauve-pink pillow. With that hand, she clutches the end of the man’s royal-blue cloak. With her other hand, she reaches with palm up across the body of the man toward his face. Her strawberry-blond hair is pulled back under a muted red ribbon, woven with pearls, and gathered at the nape of her neck. Soft curls frame her forehead and temple. A teardrop pearl earring dangles from her right earlobe. Her nose is long and slender, and her small, pale peach lips are slightly parted. The man’s body is angled toward the woman, to our left, but he twists and leans away, to our right. With elbow raised, he grips her extended forearm with his right hand, to our left. He raises his other arm with his palm out. He looks up with brown eyes under raised brows. His mouth is open and his head tipped sharply away from the woman so his chin-length, wavy, brown hair hangs by his face. He wears an ochre-yellow, thigh-length tunic over a white shirt. A thin olive-colored belt is tied in a bow at his waist. His vivid blue cloak wraps over his right upper arm, farther from us, around his torso and hips, and is pulled by the woman. Rose-pink, shiny curtains frame the scene in the upper corners, and beyond, the background is swallowed in shadow.
    Guercino, Joseph and Potiphar's Wife, 1649, oil on canvas, Patrons' Permanent Fund, 1986.17.2

    Joseph and Potiphar's Wife

    Joseph and Potiphar's Wife

    Guercino · 1649 · oil on canvas ·  Accession ID  1986.17.2

    Artwork

    Shown from the thighs up, a light-skinned man and woman gesture dramatically, partially covered only by colorful lengths of loosely draped fabric in this horizontal painting. To our left, the man stands with his lean, muscled body facing us but he turns his face to our right in profile to look at the woman with his chin dropped. His thick, dark hair is brushed back. He has a long, straight nose and his lips are parted. His left arm, on our right, is raised to shoulder height, elbow pointed out at the woman, and that hand is clenched in a fist in front of his chest. His other arm is slightly bent at his side, that hand also balled into a fist. A narrow, vivid cobalt-blue cloth winds and flutters around his body from behind him to our left, over the raised arm, and across his hips. To our right, the woman stands with her back to the man, and she looks back over her right shoulder. Her copper-red hair blows back from her face, lifting off her shoulders. She has light brown eyes under lowered brows, and the corners of her pink lips are pulled slightly down. She wears a teardrop-shaped pearl earring from the ear we can see and a headdress wrapped with more pearls at the back of her head. Her body is pale, soft, and rounded. Her arms bend at the elbows to cross in an X-shape in front of her bare breasts. With her left hand, closer to the man, she points an index finger at him. Around her body swirl two layers of satiny draperies, the outer one a honey orange, and an inner layer in dusty pink. Both people are lit from our right brightly enough to create deep shadows. Behind them, a bed at hip height has ivory-colored linens and a dark green drapery hanging to each side. The space recedes into darkness beyond the bed, contrasting with the brightness of the people.
    Guercino, Amnon and Tamar, 1649-1650, oil on canvas, Patrons' Permanent Fund, 1986.17.1

    Amnon and Tamar

    Amnon and Tamar

    Guercino · 1649-1650 · oil on canvas ·  Accession ID  1986.17.1

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