Provenance

Andrew Edmunds

Explore selected works

See all 71 works of art
Friedrich Nerly, Il Carnevale di Roma (Carnival in Rome), c. 1829, etching on wove paper, Purchased as the Gift of Vincent J. Buonanno, 2019.152.1

Il Carnevale di Roma (Carnival in Rome)

Friedrich Nerly · c. 1829 · etching on wove paper ·  Accession ID  2019.152.1

William Moss, Francis Jukes, The North Front of Old Somerset House in the Strand, 1777, etching, aquatint, and mezzotint on laid paper, Ailsa Mellon Bruce Fund, National Gallery of Art, Washington., 2019.144.1

The North Front of Old Somerset House in the Strand

William Moss, Francis Jukes · 1777 · etching, aquatint, and mezzotint on laid paper ·  Accession ID  2019.144.1

French 19th Century, Aaron Martinet, Les Invisibles en tête-à-tête (Tête-à-Tête with Poke Bonnets), c. 1805, etching with publisher's hand coloring in watercolor on pale green laid paper, Katharine Shepard Fund, 2015.49.4

Les Invisibles en tête-à-tête (Tête-à-Tête with Poke Bonnets)

French 19th Century, Aaron Martinet · c. 1805 · etching with publisher's hand coloring in watercolor on pale green laid paper ·  Accession ID  2015.49.4

Thomas Frye, Self-Portrait, 1760, mezzotint on laid paper, Ailsa Mellon Bruce Fund, 1992.24.1

Self-Portrait

Thomas Frye · 1760 · mezzotint on laid paper ·  Accession ID  1992.24.1

James Gillray, Hannah Humphrey, Modern Grace, 1796, etching and engraving with publisher's hand coloring on laid paper, Ailsa Mellon Bruce Fund, 2013.170.3

Modern Grace

James Gillray, Hannah Humphrey · 1796 · etching and engraving with publisher's hand coloring on laid paper ·  Accession ID  2013.170.3

French 19th Century, L'entrée au musée (Entrance to the Museum), 1808, etching with publisher's hand coloring in watercolor on pale green laid paper, Katharine Shepard Fund, 2015.49.2

L'entrée au musée (Entrance to the Museum)

French 19th Century · 1808 · etching with publisher's hand coloring in watercolor on pale green laid paper ·  Accession ID  2015.49.2

French 19th Century, Aaron Martinet, Provinciaux visitant les curiosités de Paris (Provinicials Visiting the Curiosities of Paris), c. 1805, etching with publisher's hand coloring in watercolor on pale green laid paper, Katharine Shepard Fund, 2015.49.3

Provinciaux visitant les curiosités de Paris (Provinicials Visiting the Curiosities of Paris)

French 19th Century, Aaron Martinet · c. 1805 · etching with publisher's hand coloring in watercolor on pale green laid paper ·  Accession ID  2015.49.3

This is a print of a scene where cats, dogs, and pitchforks are falling from the sky like rain. On the street below, people dressed in colorful clothing attempt to shelter under umbrellas. Some of the people lay on the ground, impaled by pitchforks. Two people sit in a golden carriage, looking out at the chaos. The faces of the people in the print are exaggerated and cartoonish. The background includes several large red buildings in front of green hills and a blue sky.
George Cruikshank, George Humphrey, Very unpleasant weather, 1820, etching and engraving with publisher's hand coloring, Ailsa Mellon Bruce Fund, 2013.170.7

Very unpleasant weather

George Cruikshank, George Humphrey · 1820 · etching and engraving with publisher's hand coloring ·  Accession ID  2013.170.7

James Gillray, Hannah Humphrey, Wierd-Sisters; Ministers of Darkness; Minions of the Moon, 1791, etching, engraving and aquatint printed in sepia on wove paper, with publisher's hand-coloring and inscriptions by Gillray, Anonymous Gift, 2017.49.1

Wierd-Sisters; Ministers of Darkness; Minions of the Moon

James Gillray, Hannah Humphrey · 1791 · etching, engraving and aquatint printed in sepia on wove paper, with publisher's hand-coloring and inscriptions by Gillray ·  Accession ID  2017.49.1

George Stubbs, Reapers, 1791, stipple and roulette on laid paper, Purchased as the Gift of the Krugman Family Foundation Fund and Anonymous Donor, 2021.102.1

Reapers

George Stubbs · 1791 · stipple and roulette on laid paper ·  Accession ID  2021.102.1